25.01.10 München
25. Januar 2010So. We had the day off, here in München, and very nice it was. It takes about a day to bring the machine to a stop and clean it out. The problem then is getting it started again in time for tonight’s show, but I’m sure we will get it going somehow.
An entertainment we have these days is to make bootleg recordings of our concerts. If I want to record the show in München, for example, I will go into the audience with my handheld recorder and make a recording. The quality is really very good. But there is a problem. There is no bass in these recordings. Why not? I discovered after some research that it has something to do with me being in the audience and not on the stage. I’m still trying to come to a full understanding of this phenomenon. There was one really good recording made by me Jakob, and Sven, which sounded like an excellent drum solo with some violin. Extraordinary.
Ricci doesn’t have these kind of problems because he has a different setup from the rest of us. He travels in a cryogenic flightcase. His case contains all possible facilities including a swimming pool and a gallop for his horse. Before the show we wheel him out, apply the 20KV electrodes, zap him into life, and play the show, unter Strom, so to speak. The power runs down after a while, which is why all the ballads are at the end of the show. The rest of us travel in a ’94 Opel Astra and a long wheelbase Twingo.
Anyway, if Ricci wants to make a recording, he gets his case to do it. If you find yourself during the concert standing next to a cryogenic flightcase, now you know it is Ricci making a bootleg recording. If you hear a very long drum solo, that means the rest of us are making our own bootleg recordings.